The last couple of years, this is what the festival looked like...











Of course the BFF is about films, and Teresa and I saw quite a few of them. Friday night we saw a variety of shorts followed by the film Where Are You Go. Shorts at the BFF can be pretty hit or miss, with a lot of them feeling like someone's film class project that happened to involve a bicycle that went looking to get into a festival and scored the BFF because, well, the film involved a bicycle in some way. The other kind of film that can be sort of tedious is the "celebration of the beauty of the bicycle" short. These are awesome in a way but start to feel like the same film trotting out the same themes with different rider profiles. I love my bike, it gives me time to think, it is better than a car, I live for my bike. I have now provided you with the narrative themes, now go get some footage and make a short for next year's festivals.
In contrast, Made in Queens was an amazingly tight short that brought something new. Profiling a group of immigrant kids whose families came from Trinidad and Tobago, this film was tight in its narrative and cinematography. Teresa and I were arguing about whether these were the same kids we saw at last year's BFF street party, but at any rate their claim to fame is that they turn old beater BMX bikes into five hundred pound rolling sound systems. Definitely DIY and definitely some thing to check out.
I also liked the imagery of Paris Vision, which was an artsy piece capturing the flavor of Paris' fixed gear and bike polo scene.
The Friday feature, Where Are You Go, was definitely worth watching. It was sort of a video montage chronicling the 2008 Tour D'Afrique, a grueling 12,000 km ride from Cairo, Egypt to Cape Town, South Africa. At times this film was not sure about whether it wanted to tell a story about this ride: we do get little profiles of the riders, but there wasn't a coherent picture of anyone other than the three guys who made the film. It was really neat to see how everyday Africans from such a huge geographical range reacted to these strange affluent westerners on bikes, but after awhile the novelty of watching another kid gawk at the hipster tall bike the filmmakers decided to make mid-ride wore off. I guess I would say that this film was good in spite of the filmmaking, simply because the event was so interesting.
We also went to see two programs on Saturday. The first was the "Mountain Bike" program with a few other things thrown in. There was a very small crowd for this program and the BFF folks did not seem to care enough to even have someone in the projecting booth who would notice the painfully out of sync sound that plagued the first few shorts. A short called Bike Trials: Regaining Balance was pretty neat, showing the exploits of a few trials riders in British Columbia. Trials is amazing, but it is a seriously obscure sport here in North America. According to this short, that might be due to an over-abundance of girlfriends. To decide for yourself, track this film down.
Comic relief was provided by Le Tour Rider, a sort of spoof allusion to Breaking Away, culminating in a collision between bike and automotive food delivery services. Silly, but awesome.
I might be getting a little burnt of freeride mountain bike films. That, or my standards are getting higher after seeing quite a few. Either way I was not all that impressed with an edited short of the full-length movie Latitudes. Although I must say that it is cool to see Cam McCaul pull off back flip after back flip on an eight pack.
I was pretty excited to see Freeride: The Aaron Chase Story. I wasn't disappointed, but I wasn't blown away either. It is a great profile piece, giving you a flavor of Aaron's life early in his career and now that he is older, married, and a father. Although it was painful to watch, the best part of this film is the frank manner in which it deals with an accident Aaron had on some skinny at a demo. I have always felt that high skinnies are pretty stupid and pointless, and the story of his fall from ten-plus feet up to a hard concrete parking lot only reinforced that sense. The story turns out okay, and it almost makes one feel that you can come back from any injury, but for me the whole thing underscored a concern that I have had for a long time: pro bikers are being pushed to do things that are more and more likely to cause serious permanent injury. At the end of this film I did not find myself totally convinced that all the perks and adventure of being a pro biker are really worth it. That's easy for me to say from my midlife, relatively careful riding stance, but I don't think I would encourage on of my children to pursue a life like Aaron's.
The last program we saw was the BMX features. Of course that had to be preceded by a long jump contest:

These were the best films we saw. The first film I'm Good On That One, which was basically a promo for Lotek Shoes, was mind-blowing. This is the way I like my skate/BMX/freeride videos: fast, intense, and unrelenting. I know that it is much easier to make a video with filler because valuable footage is hard to come by, but I would much rather watch 15 minutes of amazing stuff than half an hour of slowly-revealed lukewarm action. All I can say is this: how the hell does anyone ride brakeless in San Francisco?
The second film, Train Trip, was also pretty amazing. It was slower in pace but the footage of veterans Joe Rich and Ruben Alcantara was well worth it. The stuff these guys still pull is just amazing: big long and burly.
The feature film was I Love My Bike: The Story of FBM Bikes. It seemed like every person from the local area with any connection to this DIY American-made company was out in force, and the place was pretty rowdy. But when the film came on, everyone settled down. What followed was a very well-crafted story about a very unlikely bike company. As a person who needs a primer on BMX history, this film really filled in a lot of gaps for me. Pretty much every important rider from the last fifteen years played some part in this film, which chronicled the slow rise and tribulations of FBM, an upstate company that has ridden out several boom-and-bust cycles of the BMX industry. Great film, great story. I think what interested me most was the maturation process of the major players in the company, a group of friends who went from reject upstarts to tastemakers over the last decade-plus. If I ever get my own twenty-incher, it will be an FBM custom.
After the film the BMX crowd was so pumped that they tried to get a makeshift ramp going:

Besides watching films, we also got to hang out with Carl and Curtis...
